![]() ![]() But since you also have FALL CV inputs you could patch the gate there via an attenuator and gain separate control over the decay and release. So I guess they behave like ADSRs except that D=R. The other thing I just noticed is that the "hold" part of the modulators is now a slider instead of a switch. Although I would maybe have preferred one of those jacks instead feeding into the noise attenuator and the noise being normaled to that? 3:1 mixing would be sufficient most of the time and having an extra attenuator is always useful. There are certainly enough modulation sources on this thing to justify a 4:1 CV mixer. With the Dreadbox Nyx V2, the Greek boutique manufacturer has oriented itself to the design and form factor of the highly acclaimed Erebus V3, which enables. SoftPop’s sequencer is built upon 8-step loops of notes, gates, and slides, which can be rearranged to create longer sequences. ![]() For starters, it is simultaneously an analog and digital synthesizer. ![]() The SoftPop 2 is different from most semi-modular synthesizers. I assume that the additional inputs are also going into the mixer and are just in the "noise" row due to size constraints (notice the lack of a horizontal line between IN D and the noise OUT). The SoftPop 2 is a dynamic bomb of sound. I don't think there is a S&H on there? I was wondering the same thing. Help them stand out and find your sound with the XT stands from 3DWaves. Zite909 wrote.But what is the point of the IN C and IN D that are on the NOISE line ? Do they control the S&H parameters of the noise out or something like that ? Its easy for gear to get buried or lost on a table full of electronic instruments. ![]()
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